I started taking pictures as a child. My first camera was a piece of cheap plastics. It was a great. You couldn't put any films inside, and if you would click the trigger, nothing would happen. Unfortunately for you, I cannot show you these pictures since they are all recorded in my own personal memory.
When my father bought himself a new camera, he handed me over his old one, the Canon AE-1 Program, and I started taking pictures I actually could share, but were not yet worth sharing.
Photographic Catalogue
- All
- Photography
- Studies
- Drone
- Booth Design
- Communications
- Corporate and Brand Identity
- Digital
- Film
- Live
- Featured
- Single
- Archaeological Design
- Product Movie
- Architecture
- Web
- Brand Movie

S3 Series
Photography, Studies

Germania Superior
Drone, Photography

Head of Design, Adidas Runtastic
Booth Design, Communications, Corporate and Brand Identity, Digital, Film

S3 0715
Photography, Studies

Ernst Horn, Deine Lakaien
Live, Photography

Saalburg I
Drone, Photography

S3 0671
Photography, Studies

XI 3431
Featured, Photography, Single

S3 0665
Photography, Studies

Project Pitchfork
Live, Photography

Am Kreuzbach
Drone, Photography

Still Life Locations
Featured, Photography

Israel, Khan Saharonim
Archaeological Design, Photography

Anne Clark Band
Live, Photography

S3 0726 – 0729
Photography, Studies

Geuder vivos
Film, Product Movie

Zillo Festival, Durmersheim
Live, Photography

S3 0720
Photography, Studies

Still Life
Photography

Das Ich
Live, Photography

Geuder AG
Architecture, Booth Design, Communications, Corporate and Brand Identity, Digital, Film, Photography, Web

Still Life Sequence
Photography

Geuder Yamane
Film, Product Movie

Geuder Amon
Film, Product Movie

Geuder DMEK Rapid mini
Film, Product Movie

A stone’s throw from Jerusalem
Photography

Laibach at Schauspiel Leipzig
Live, Photography

B 0144-35A
Live, Photography

Geuder Brand Movie
Brand Movie, Film

S3 0698
Photography, Studies
About
A turning point was when my family moved away from Frankfurt am Main to the rurals of Franconia. Having lost home and love, I started to seek comfort in documenting what didn't happen, and a little later what happened.
These were mainly, going to concerts, hanging out with musicians and artists, and staring at girls. I spend hours in the lab figuring out the weakest light spots on my high speed low light films.
If I look at it, my sujets haven't changed. I still focus on the things that do not happen. Today I work with Nikon Cameras and Lenses, analogue and digitally, and the beautiful Mamiya RZ67.