I started taking pictures as a child. My first camera was a piece of cheap plastics. It was a great. You couldn't put any films inside, and if you would click the trigger, nothing would happen. Unfortunately for you, I cannot show you these pictures since they are all recorded in my own personal memory.
When my father bought himself a new camera, he handed me over his old one, the Canon AE-1 Program, and I started taking pictures I actually could share, but were not yet worth sharing.
Photographic Catalogue

A stone’s throw from Jerusalem
Photography

Still Life
Photography

Still Life Locations
Featured, Photography

S3 0720
Photography, Studies

S3 0698
Photography, Studies

S3 Series
Photography, Studies

Das Ich
Live, Photography

Saalburg I
Drone, Photography

Germania Superior
Drone, Photography

Zillo Festival, Durmersheim
Live, Photography

S3 0671
Photography, Studies

B 0144-35A
Live, Photography

Still Life Sequence
Photography

Am Kreuzbach
Drone, Photography

Ernst Horn, Deine Lakaien
Live, Photography

Israel, Khan Saharonim
Archaeological Design, Photography

Anne Clark Band
Live, Photography

S3 0726 – 0729
Photography, Studies

S3 0715
Photography, Studies

Project Pitchfork
Live, Photography

S3 0665
Photography, Studies

XI 3431
Featured, Photography, Single

Laibach at Schauspiel Leipzig
Live, Photography
About
A turning point was when my family moved away from Frankfurt am Main to the rurals of Franconia. Having lost home and love, I started to seek comfort in documenting what didn't happen, and a little later what happened.
These were mainly, going to concerts, hanging out with musicians and artists, and staring at girls. I spend hours in the lab figuring out the weakest light spots on my high speed low light films.
If I look at it, my sujets haven't changed. I still focus on the things that do not happen. Today I work with Nikon Cameras and Lenses, analogue and digitally, and the beautiful Mamiya RZ67.

