I started taking pictures as a child. My first camera was a piece of cheap plastics. It was a great. You couldn't put any films inside, and if you would click the trigger, nothing would happen. Unfortunately for you, I cannot show you these pictures since they are all recorded in my own personal memory.
When my father bought himself a new camera, he handed me over his old one, the Canon AE-1 Program, and I started taking pictures I actually could share, but were not yet worth sharing.
Photographic Catalogue
B 0144-35A
Live, Photography
Israel, Khan Saharonim
Archaeological Design, Photography
In the Deep
Film
Project Pitchfork
Live, Photography
Still Life Sequence
Photography
S3 0671
Photography, Studies
Still Life Locations
Featured, Photography
EDDF 25R
Film
Ernst Horn, Deine Lakaien
Live, Photography
S3 0665
Photography, Studies
S3 0726 – 0729
Photography, Studies
Zillo Festival, Durmersheim
Live, Photography
Saalburg I
Drone, Photography
Das Ich
Live, Photography
A stone’s throw from Jerusalem
Photography
Laibach at Schauspiel Leipzig
Photography
Still Life
Photography
Germania Superior
Drone, Photography
S3 Series
Photography, Studies
Am Kreuzbach
Drone, Photography
S3 0715
Photography, Studies
S3 0698
Photography, Studies
XI 3431
Featured, Photography, Single
Anne Clark Band
Live, Photography
S3 0720
Photography, Studies
About
A turning point was when my family moved away from Frankfurt am Main to the rurals of Franconia. Having lost home and love, I started to seek comfort in documenting what didn't happen, and a little later what happened.
These were mainly, going to concerts, hanging out with musicians and artists, and staring at girls. I spend hours in the lab figuring out the weakest light spots on my high speed low light films.
If I look at it, my sujets haven't changed. I still focus on the things that do not happen. Today I work with Nikon Cameras and Lenses, analogue and digitally, and the beautiful Mamiya RZ67.