I started taking pictures as a child. My first camera was a piece of cheap plastics. It was a great. You couldn't put any films inside, and if you would click the trigger, nothing would happen. Unfortunately for you, I cannot show you these pictures since they are all recorded in my own personal memory.
When my father bought himself a new camera, he handed me over his old one, the Canon AE-1 Program, and I started taking pictures I actually could share, but were not yet worth sharing.
Photographic Catalogue
A stone’s throw from Jerusalem
Photography
Still Life
Photography
Saalburg I
Drone, Photography
S3 0698
Photography, Studies
Still Life Locations
Featured, Photography
B 0144-35A
Live, Photography
S3 0726 – 0729
Photography, Studies
Ernst Horn, Deine Lakaien
Live, Photography
Zillo Festival, Durmersheim
Live, Photography
S3 0665
Photography, Studies
Germania Superior
Drone, Photography
S3 0720
Photography, Studies
Project Pitchfork
Live, Photography
Am Kreuzbach
Drone, Photography
S3 0671
Photography, Studies
S3 0715
Photography, Studies
Das Ich
Live, Photography
In the Deep
Film
Israel, Khan Saharonim
Archaeological Design, Photography
EDDF 25R
Film
Still Life Sequence
Photography
XI 3431
Featured, Photography, Single
S3 Series
Photography, Studies
Laibach at Schauspiel Leipzig
Photography
Anne Clark Band
Live, Photography
About
A turning point was when my family moved away from Frankfurt am Main to the rurals of Franconia. Having lost home and love, I started to seek comfort in documenting what didn't happen, and a little later what happened.
These were mainly, going to concerts, hanging out with musicians and artists, and staring at girls. I spend hours in the lab figuring out the weakest light spots on my high speed low light films.
If I look at it, my sujets haven't changed. I still focus on the things that do not happen. Today I work with Nikon Cameras and Lenses, analogue and digitally, and the beautiful Mamiya RZ67.